West Coast Cool Jazz
A Feature Documentary by Wire Notebook Films In Association with Frank Zamacona & Zamacona Productions
About the project:
West Coast Cool Jazz explores the musicians, artists, producers, photographers, club owners, and cultural innovators who shaped a defining era of American jazz between 1949–1969. With aging archives, shifting ownership, and dwindling first-generation voices, this history faces a real risk of disappearing without dedicated preservation.
From Miles Davis and Gil Evans’ groundbreaking 1949 Birth of the Cool collaboration to the vibrant Black music scene on Los Angeles’s Central Avenue… and from the bebop fire of Charlie Parker, Charles Mingus, Dizzy Gillespie, and Thelonious Monk to the spacious, modern California sound of Chet Baker, Art Pepper, Dave Brubeck Gerry Mulligan, Chico Hamilton, and Hampton Hawes, the film traces how these creative worlds influenced one another.
This is not only a jazz story—it is a portrait of a cultural moment when music, design, photography, fashion, and a new West Coast “cool” sensibility converged into a Californian identity admired around the world. Despite segregation and unequal access to venues and recording opportunities, collaboration and innovation still emerged across communities, shaping an era of creativity that continues to influence American culture.
CURRENT STAGE OF THE PROJECT
We have completed an early-phase, public-facing trailer developed specifically for donor outreach. Because the project relies heavily on licensed music and archival materials, as well as interviews this version does not yet include full period recordings or full archival footage. It introduces the tone, vision, and direction of the film while we raise funds to produce the fully licensed fundraising trailer required for major grants, broadcasters, and cultural partners.
PRESS, COMMUNITY SUPPORT & CRITICAL ATTENTION
We would like to sincerely thank our supporters to date for their early generosity and for the many enthusiastic comments we’ve received about the importance of preserving and documenting this cultural history. Your encouragement has helped move this project forward at a critical stage.
We are also honored to have recent press attention from Ted Gioia, one of the most respected voices in jazz history and cultural criticism.
Gioia is the founder of Stanford University’s Jazz Studies Program, an internationally recognized jazz historian, author of 12 books, jazz pianist, and lecturer. His influential works include The History of Jazz, The Jazz Standards, and West Coast Jazz, widely regarded as a definitive study of the movement.
In his recent article, “Will West Coast Jazz Finally Get Some Respect? I intend to find out.”, published on his Substack The Honest Broker, Gioia highlights the importance of this project and the urgency of documenting an overlooked chapter of American cultural history.
Read the article:
https://www.honest-broker.com/p/will-west-coast-jazz-finally-get
Recent Interview With Laurie Pepper the Wife of the Late Great Art Pepper:
https://youtu.be/voLMUYB7-YQ?si=rfyEiuVotVd8aP5D
URGENT FUNDING GOAL FOR MARCH SF PRODUCTION
We have an urgent fundraising goal of $35,000 by the end of February to secure the San Francisco production shoot of West Coast Cool Jazz.
These funds are needed for:
- Production: personnel, equipment, permits, and and interviews
- Filming the Museum of Counterculture (Beat Museum Archives are held here) in San Francisco and other key locations
Having these funds in place by the end of February will fund these production shoots in March.
IMPACT AND EDUCATIONAL VALUE
The film will:
- Preserve a vital, at-risk chapter of American jazz history
- Highlight the contributions of Black musicians whose influence is often under-documented in West Coast narratives
- Illuminate the movement of ideas between East and West Coast musical communities
- Provide educators, students, and institutions with a deeply researched cultural resource
- Connect younger audiences to the sounds that shaped film, television, and modern jazz
- Celebrate resilience, creativity, and collaboration in a transformative era
Educational materials will include classroom modules, educator guides, and community-programming tools.
DISTRIBUTION AND OUTREACH STRATEGY
Phase 1 — Festival Circuit (Following Completion of the Film)
Telluride, Sundance, SXSW, SFFILM, DOC NYC, Monterey Jazz Festival Film Series, and select international festivals.
Phase 2 — Cultural and Institutional Partnerships
SFJAZZ, LA Jazz Institute, New Orleans Jazz and Heritage Festival, Jazz at Lincoln Center, Monterey Jazz Festival, National Jazz Museum in Harlem, universities, conservatories, libraries, and art and design centers. Includes educator guides, classroom modules, and historical context materials.
Phase 3 — Broadcast and Streaming
PBS member stations, public-media partners, and select streaming platforms.
Phase 4 — Community, Library, and School Engagement
Community screenings, jazz-club salons, library programs, and cultural dialogues. Impact will be measured through attendance, educator feedback, media engagement, and digital reach.
CREATIVE TEAM
Sandra Evans — Creative Producer / Producer, Wire Notebook Films
Sandra Evans is a creative director and producer with extensive experience shaping visual stories across nonprofit, commercial, and arts-driven environments. Her background includes work in corporate and commercial video, design direction, brand development, and managing creative workflows from concept through post-production. West Coast Cool Jazz draws on her long-standing interests in cultural history, visual storytelling, and research, bringing a thoughtful and well-organized development approach to the documentary.
Frank Zamacona — Executive Producer / Director, Zamacona Productions
Frank Zamacona is an executive producer and director with an extensive background in documentary, broadcast, and arts programming. His work includes television specials, cultural programming, and long-form projects for PBS, ABC, Discovery Channel, Animal Planet, HGTV, and Link TV, as well as theatrical and syndicated releases. He has received multiple Emmys, a Clio, Promax, CINE Golden Eagle, and other national awards. Frank is a longtime member of the DGA, NABET, and AFTRA, and previously served on the Board of Governors for the NATAS San Francisco/Northern California Chapter.
SPECIALIZED DEVELOPMENT PARTNERS
As part of the development phase, West Coast Cool Jazz collaborates with leading specialists in editing, cinematography, music rights, and archival research:
T.M. Christopher — Editor / Editorial Consultant
Tom Christopher brings extensive experience in documentary, feature, and effects-driven filmmaking. Credited as the Co Producer and editor of Facing Fear — an Academy Award–nominated documentary short — he contributes editorial leadership and narrative shaping to West Coast Cool Jazz. His earlier career included work on major studio blockbuster productions, providing a strong technical foundation that supports the project’s creative vision.
Steve Condiotti — Cinematography Consultant / Director of Photography
Award-winning cinematographer with extensive experience in documentary and nonfiction storytelling. His work spans broadcast, feature documentary, and cultural programming, bringing a refined visual approach to the project.
Eli Adler — Cinematography Consultant / Director of Photography
Documentary cinematographer known for visually driven nonfiction work, contributing camera direction and visual strategy to the development of West Coast Cool Jazz. Brooke Wentz — The Rights Workshop Music rights consulting and preliminary clearance strategy for the expanded fundraising trailer.
Blanche Chase — Archivist & Archival Research Consultant
Archival sourcing, collection research, and early-stage identification of film, photography, and ephemera essential to the project’s development.
Brooke Wentz / The Rights Workshop — Music Rights & Clearances
These partnerships strengthen the film’s development and ensure a well-supported transition into full production.
PHOTO CREDITS
(c) Bob Willoughby / MPTV Images — photographs of Chet Baker, Dave Brubeck, Paul Desmond, and Miles Davis.
FISCAL SPONSORSHIP
West Coast Cool Jazz is fiscally sponsored by Filmmakers Collaborative under Wire Notebook Films (Sandra Evans, Producer). All donations are received, managed, and disbursed by Filmmakers Collaborative for the development of this project.
CALL TO ACTION
SF Producers Donor Circle — West Coast Cool Jazz | Urgent Funding Needed for March Production
We are assembling a small SF Producers Donor Circle to underwrite our first San Francisco production block for West Coast Cool Jazz — a feature documentary exploring the West Coast jazz movement (1949–1969) and its creative dialogue with East Coast bebop.
This first production block focuses on contemporary artists and firsthand witnesses whose careers and artistic lineages intersect with early Big Band roots, bebop, the Miles Davis ecosystem, and the West Coast era, while foundational West Coast and East Coast bebop musicians are represented through archival footage, photographs, and recordings.
This opening shoot will capture in-depth interviews with initial artists including:
Eddie Henderson — A respected American jazz trumpeter who came to prominence in the early 1970s with Herbie Hancock’s Mwandishi band, later worked with Art Blakey’s Jazz Messengers, and was influenced and encouraged early in his career by Miles Davis, a friend of his family.
Vince Wilburn, Jr. — The nephew of Miles Davis, an award-winning drummer and bandleader who performed with Miles during his electric/fusion period and now leads the Miles Electric Band (M.E.B.), honoring and advancing Davis’s electric-era legacy.
We are also finalizing filming schedules with two additional high-profile jazz artists for this San Francisco production block.
Production will include filming at San Francisco Counter Culture Museum, which holds the archives for the Beat Museum, along with exterior photography of historic jazz clubs and culturally significant neighborhoods throughout the city — visually grounding the film in one of the cities that helped shape this music.
The results of this production block will also strengthen our ability to attract larger-scale supporters and institutional funders. Finished footage of contemporary artists provides essential proof-of-concept and meaningful leverage for the next stages of financing.
This SF production block represents the first critical phase of filming for the project, which begins in March; therefore, funds need to be available by the end of February.
SF Producers Donor Circle Goal: $35,000 by February 28
These funds directly support:
• Crew & equipment
• Artist interview production
• Locations, permits & possible honoraria
• Insurance
• Travel & logistics
SF Producers Donor Circle Recognition
$500+ — Special Thanks (website + film credits)
$1,000+ — Production Supporter (credits + early access)
$2,500+ — Associate Supporter (credits + private updates)
$5,000+ — Associate Producer
(screen credit + two invitations to a summer special event in San Francisco with special guests and preview screening of the next longform trailer)
$10,000+ — Co-Producer
(screen credit + two invitations to a summer special event in San Francisco with special
guests and preview screening of the next longform trailer)
Summer event details to be announced.
Members of the SF Producers Donor Circle receive behind-the-scenes updates, early access to footage, and recognition in the finished film.
This funding allows us to move into active production aligned with artists’ touring schedules.